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Rick LaCour

Photo by 
Clay Rochemont

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Fatal Frame theatrical trailer (dir. Mari Asato)

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Powazki Cemetery, Poland

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Formerly the most populated island the Chesapeake Bay, Holland Island is now abandoned and rapidly eroding away. Before that though, the island was home to about 360 residents.  Suddenly in 1914 the wind and tide began to erode the western side of the island. Most of the population lived on that side, and were forced to leave. Pictured above is the last remaining house from Holland Island. It collapsed in 2010.

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Aztec masks.

The Walters provides an excellent overview of the significance of skeletal masks to the Mexica, which I have included below.

Throughout Mesoamerica, the wearing of masks was central to the performance of religious rituals and reenactments of myths and history. The face is the center of identity, and by changing one’s face, a person can transcend the bounds of self, social expectations, and even earthly limitations. In this transformed state, the human becomes the god, supernatural being or mythic hero portrayed.

Masks of skeletal heads, whether human or animal, are relatively common, for death played a central role in Mexica religion. Death was one of the twenty daysigns of the Mexican calendar, indicating its essential place in the natural cycle of the cosmos. Death also was directly connected to the concept of regeneration and resurrection, which was a basic principle in Aztec religious philosophy.

A key Mexica myth recounts the journey of Ehecatl, a wind god who was an aspect of Quetzalcóatl (“Feathered Serpent”), a powerful Mesoamerican deity. Ehecatl travels to Mictlán, the land of the dead, where he retrieves the bones of long-dead ancestors. He grinds their bones and mixes the powder with his blood, offered in sacrifice. With this potent mixture, the god formed the new race of humans who, according to Mexica cosmology, inhabit the present fifth age of Creation. Thus, death and rebirth are intimately connected in Aztec thought and religious practice.

The mask represents the concept of life generated from death with visages animated by lively eyes and painted skin. The mask was probably worn during rituals, covering the performer’s face or attached to an elaborate, full-head mask, and transforms the person into a new being that symbolizes the pan-Mesoamerican belief in life springing from death as a natural, and inevitable, process of the mystical universe. (Walters)

Courtesy of & currently located at the Walters Art Museum, Baltimore, USA, 2009.20.1212009.20.1.



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Blanket of Spiders

After a flood in Wagga Wagga, Australia forced people to flee their homes, ground-dwelling spiders were forced to move to higher grounds. What you see in the picture above, are spider webs. They belong to wolf spiders and sheet-web spiders, not dangerous to people but still not something I really want covering the ground.

It’s still a striking phenomenon to see spiders using these silk webs as a way to not drown.

Spiderwebs picture: Wolf spiders spin webs in flood-ravaged Wagga Wagga, Australia

Spiderwebs picture: A girl watches spiderwebs in Wagga Wagga, Australia